Ambrosia Pro Pendant – Marset

Resembling a block of ice, at the same time both solid and weightless. Its designer, Joan Gaspar, has used transparent polycarbonate to create optical reflections, giving the impression of an organic design made of glass.

Its large size is in keeping with its function, since it’s been designed to illuminate large and considerably high spaces, contemporary architectural projects ranging from hotels to contract, in which a lot of light is required.

Available in a ceiling version (with a fixed pole or built-in) and pendant version.

At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside, instead of inside the shade. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.

Walking around New York means looking up to discover where the skyscrapers end. On his last trip to this city, designer Joan Gaspar looked around the rooftops of New York and there, seeing the water tanks, he found the shape for this new design. Water tanks have been a sign of New York’s identity since the beginning of the 19th century, and live on in this design.

Jaume Ramírez's Milana design features modular suspension lamps that move vertically and horizontally. The minimalist cylindrical body with a built-in LED can be paired with conical shades in oyster white and black. Ingeniously, a counterweight allows these lamps to move when hung between two points.

The Dipping Light is more than just a lamp. It inspires emotions. On, it is mesmerising. Its different shades of paint filter the light creating a magical ambience. Off, it transforms into a multi-coloured glass sphere, with a strong aesthetic impact.

The Dipping Light started as an experiment – dipping a switched-on light bulb in paint several times – but it became a lamp. The result is layers of colour painted in concentric circles which trap the light, attenuating its intensity. The paint acts as a shade, colouring the light and giving it texture. This artisanal process involved makes each lamp unique and exclusive.

The pendant version of the Dipping Light sheds all unnecessary elements and retains only what is essential: colour takes centre stage. When using several lamps to make a composition, the visual effect is mesmerising.

Wood is a great ally of cosy lighting. It is a material that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light. The Ginger collection has been expanded over time to provide solutions to different lighting needs, and is available in pendant, table, wall, and floor lamp versions.

The Ginger family includes wall lights, floor lamps and table lamps.

Applying a digitally designed fabric crease to ceramics is how the Pleat Box lamp was created, resulting in a design that conveys beauty in its material, shapes and texture.

Ceramic is a ductile, malleable material, and every lamp in the collection is handcrafted. Fusing the clay with different enamels has allowed Xavier Mañosa to discover and interpret new light effects. He has gone as far as to play with two different finishes on the inside of the lamp: a brilliant white enamel to create sparkles that enhance the light, and a 24-carat gold plated version that emits extraordinarily warm lighting.

The Pleat Box collection is also available with an integrated LED technology, which projects warm indirect light and prevents glare. This lamp shows respect for craftsmanship, care for ceramics and the ingenuity of design.

The beauty of the Mercer is from both its pure shape and how its materials blend together. The transparent blown glass structure envelops the textile shade, which appears to float, conveying lightness and sophistication. The inner diffuser fabric is available in ecru cotton ribbon, or a modern and minimalist version pearl white.

The Bohemia is unique. At first glance, it appears to be made of blown glass—but its size made this option untenable. Its designer, Joan Gaspar, overcame this difficult challenge by opting for polycarbonate instead.

The result is an exciting, organic, translucent profile that integrates two volumes into a single shape. This allows for a large shade in different colours that don’t interfere with the interior, which is always white, giving of impeccable lighting with no colour bleed.

When it’s on, the Bohemia shines a white light downward, while also enhancing the shade with subtle hues and shadows. This interplay between shadow and light defines the two volumes. The Bohemia is bright and striking, with an exceptional light that aims to surprise all viewers.

If there is one iconic design in the Marset collection, it is the Discocó. Exuberant even when switched off, the richness of the light emitted by this lamp provides a dramatic surrounding interplay of light and shadow. Further reflections dance off the chrome-covered sphere at the core, to which the discs are attached.

When switched off, the Discocó is a beautiful object whose petals gently fill the space.

The Djembé collection is designed for repetition, creating musical compositions of light. A bell-shaped ceiling fixture with an exposed interior, Djembé is available in a numerous sizes and bright, airy colours that can be used individually or combined to create a brilliant statement piece.

The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.

Its design stems from a tubular structure with gentle lines that attaches to the ceiling, allowing the light to descend and gently illuminate any type of project. It is this diffused light that fills the space, adding beauty.

The new vertical Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure.

The Ambrosia V3, joins three light tubes placed at different heights, forming a sculptural ensemble. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug.

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, available in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces.

The serene shapes of the Ihana trace a silhouette of light. This system features opal blown glass diffusers contrasted by a firm metal structure. It can create light compositions with up to 14 diffusers connected to a single point, and is suitable for both classic and contemporary interiors.

The Ambrosia collection has been extended with a version designed specifically for workspaces that require more controlled lighting. Ambrosia Pro includes a cell structure with independent lenses that project more directional lighting. This edition speaks the same language as the rest of the collection but is perfect for different applications.

The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.

Its design stems from a tubular structure with gentle lines that attaches to the ceiling, allowing the light to descend and gently illuminate any type of project. It is this diffuse light that fills the space, adding beauty.

Perez Ochando's latest lamp is a flexible, large-format design for large spaces. A black vertical structure with adjustable rods expands or focuses light. Each rod has a suspended spotlight with inner rings in ivory, terracotta, or gold, spreading light evenly.

Inspired by an old winding machine, this lamp's shape allows vertical and horizontal movement. It extends up to 2 metres in diameter for large spaces or folds to 1.2 metres for smaller areas, always providing exceptional ambient lighting.