Kantarell Pendant Ø55 – New Works

The beauty of the Cala collection comes from its simple, essential form. A shade that embraces the light without restricting it, letting it project its warmth around your space. Its structure is lightweight yet strong and is inspired by the classic painter’s easel.

The Cala with a metal stand is even more sophisticated: a structure that is easier on the eyes, and is lighter. Both the wooden and metal versions speak the same language: the proportions, the harmony, and the cosy light.

The Cala family includes and outdoor floor lamp, and wooden and metal versions.

From light to shadow with a single gesture. The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it.

Theia has two faces. To discover them, swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light that immediately warms the atmosphere. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece.

The Theia family includes a floor lamp and table lamp.

The floor version of the Ginger collection is available in wood, a great ally of more intimate lighting. The difficulties of moulding wood are solved neatly with this collection. The ingenious combination of thin sheets of wood, paper and resins, compacted under high pressure, yield a lamp with an almost flat, understated appearance that uses reflection to warmly illuminate spaces.

The Funiculí is one Marset’s most emblematic lamps. Its design is over 30 years old, but is still as modern and functional as the day it was designed.

Heir to the first Funiculí, the version with a fabric shade was first conceived by Lluís Porqueras in 1979. The cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height. 

The essence of both lamps continues to be their simplicity, but this design is chic and classical.

The beauty of the Cala collection comes from its simple, essential form: a shade that embraces the light without restricting it, letting it project its warmth around you space. Its oak wood structure is lightweight yet strong, and is inspired by the classic painter’s easel. An iconic Marset design defined by that most precious pairing: form and function.

A highly functional lamp perfect as general lighting for larger spaces.

The Cala collection is also available in an outdoor version and a metal version.

Polo stands out for the fluidity of its movements. This design unites the head to a thin, light structure that can be fully extended while taking up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of lamps.

The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.

As if levitating, the Copérnica’s weight is barely noticeable. It moves through space precisely, with no friction or resistance.

Circles, semicircles, tubes, and bars of different diameters, materials, and weights. With the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines.

The Copérnica family includes both a table, floor lamp, and torch-style floor lamp.

Wood and metal combine in a design that uses the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light.

The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding. Its assembly is reminiscent of a construction set, and its profile evokes a silhouette of light, an archetypal, almost graphic design.

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.

Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment.

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which is available in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces.

Wood is a great ally of cozy lighting. It is a material  that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper  pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces  with indirect light.

With its original orientation and suspension system, the shade of this floor version hangs from a structure that replaces the ceiling. The stem and suspension system allows the shade to extend forward and back, as well as side to side. This version of the Ginger floor lamp is a substantial and versatile fixture that retains a light footprint and a subtle physical presence, providing excellent illumination without overwhelming your space.

The beauty of the Mercer stems not only from its essential shape, but also materials blended together. The transparent blown glass structure surrounds the textile shade, which seems to float, conveying a sense of airiness and sophistication.

The interior fabric is available in a ribbon of raw cotton or a more modern and minimalist version in pearl white.

Fascinated by timeless design, designer Jaume Ramírez is interested in the archetypal table lamp in which a lampshade distributes light in all directions. This is the starting point from which he reflects and experiments to propose a new glass design, with more streamlined shapes.

Fragile synthesises past and present. It brings to mind hallmarks of the past such as oil lamps, which also illuminate from the bottom up, or candles; however, its designer uses the language of glass to express the fragility of the present moment. That is why this new design is intended to be a tribute to the table lamp. A fixture with a long history that, with the application of a material such as glass, once again surprises us with the delicacy of its forms.

Polo stands out for the fluidity of its movements. The design unites the head to a thin, light structure that can be fully folded so it takes up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of switches.

The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.

Wood and metal combine in a design with basic geometric shapes. The Scantling has a highly functional and flexible system in which all the movements of the fully rotational shade rely on ball joints and arms. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.

The Scantling collection includes a table, wall and two floor versions.

The Bolita lamp beckons you to touch it to adjust it. Its structure is as simple as it is magical. A rounded surface that houses an LED located on a central axis, and an overlapping glass sphere that when moved, creates an eclipse effect. Moving the Bolita dims or boosts the light, an interplay that captivates with its beautiful visual effect.

For Lluís Porqueras, design consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.

Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment.

The Funiculí is one Marset’s most emblematic lamps. Its design has been around a long time, and yet its style remains current and functional. Its light can be direct or indirect, and the height of the light can be adjusted with a set of clips.

In the fabric version of the Funiculí, the cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height. 

The essence of both lamps continues to be their simplicity, but this design is chic and classical. This collection is available in floor, table and wall versions.

Wood is a great ally of cosy lighting. It is a material that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.

These two highly diverse materials – wood and metal – lend the Ginger collection an increased versatility, and even allow for a new outdoor series. There is a Ginger lamp for every lighting and aesthetic need.

From light to shadow with a single gesture. The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it. In Theia, the materials and shapes are merely the physical manifestations of the underlying concept: merging both light and shadow in a single piece.

Theia has two faces. To discover them, swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light that immediately warms the atmosphere. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece.

The Theia family includes a floor lamp and table lamp.

Beyond its function as a lamp, the Dipping Light seeks to excite. While on, its different shades of paint sift the light, creating a magical ambient effect. When off, its coloured glass sphere is an object charged with beauty, and eye-catching design piece for a shelf, bedside, or table.

The Dipping Light was created as an experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturising the light. A brass or graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation.

Available in stand-alone portable version and with another diameter – ø20 cm – halfway between the small and the large versions. There is also a choice of finish for the base between brushed brass and graphite, while the colours of the bulb remain the same.

The 12.5 cm diameter lamp is also available in a portable version.

When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.

Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines.

This collection consists of a table and floor lamp, each of which use mixed materials of different densities including aluminium and steel to create a unique counterweight system.

The Copérnica family includes both a table, floor lamp, and torch-style floor lamp.

Sips possesses an understated, timeless design with a clear purpose: to create a distinctive, intimate lighted space, even outdoors.

With a small opaque shade, the Sips illuminates the table directly but without dazzling or overpowering the space. Its wider base provides stability and includes a touch switch with three light intensities.

Free of cables, lightweight, with a simple structure and neutral colours, this design becomes a discreet part of the table, and ensures good lighting in restaurants, bars, cocktail bars, terraces and patios.

Few lamps have caused as much buzz as FollowMe. This daring pioneer of portable lighting has become a design icon in just a few short years.

Its simple, airy lines, its tilting shade and its varying light intensity have established it as a beautiful and practical lamp.

The FollowMe colours provide multiple possibilities: pink and blue, whose soft colours and gentle light invite serenity, are ideal for children’s rooms or pastel design themes, while the more intense and sophisticated green and terracotta add a spot of bold colour to any environment.

The Bicoca is born with the optimism of brightening life and accompanying the good times, wherever you go. This colourful, lightweight portable lamp projects an intimate light that adds warmth to all your personal spaces.

Beyond its function as a lamp, the Dipping Light seeks to excite. While on, its different shades of paint sift the light, creating a magical ambient effect. When off, its coloured glass sphere is an object charged with beauty, and eye-catching design piece for a shelf, bedside, or table.

The Dipping Light was created as an experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturising the light. A brass or graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation.