Marset
Through thoughtful design, Marset aims to convey their most essential values: quality, technological rigour, innovation, sustainability, durability.
Marset was founded in Barcelona in 1942 as a family foundry. In 1965 Marset decided to dedicate themselves exclusively to manufacturing lighting products, and since then they have established themselves as one of the most high-regarded companies in the field.
As a company they have never been afraid to take risks and whilst one may observe the influence of contemporary design in their products, they have always pushed the boundaries of the conventional.
Marset works with the world’s leading industrial designers from Chile, Germany, Finland and Spain to create a varied range of lighting instruments. The variety of backgrounds is reflected in their eclecticism of their catalogue. Every product is unquestionably unique, from the vintage to the futuristic, from the subtle to the bold. Each design is certain to lend personality to any room it is placed in.
Marset offers beautiful internal and external ranges, that can surprise, thrill, and endure.
At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside, instead of inside the shade. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.
Walking around New York means looking up to discover where the skyscrapers end. On his last trip to this city, designer Joan Gaspar looked around the rooftops of New York and there, seeing the water tanks, he found the shape for this new design. Water tanks have been a sign of New York’s identity since the beginning of the 19th century, and live on in this design.
Jaume Ramírez's Milana design features modular suspension lamps that move vertically and horizontally. The minimalist cylindrical body with a built-in LED can be paired with conical shades in oyster white and black. Ingeniously, a counterweight allows these lamps to move when hung between two points.
The Dipping Light is more than just a lamp. It inspires emotions. On, it is mesmerising. Its different shades of paint filter the light creating a magical ambience. Off, it transforms into a multi-coloured glass sphere, with a strong aesthetic impact.
The Dipping Light started as an experiment – dipping a switched-on light bulb in paint several times – but it became a lamp. The result is layers of colour painted in concentric circles which trap the light, attenuating its intensity. The paint acts as a shade, colouring the light and giving it texture. This artisanal process involved makes each lamp unique and exclusive.
The pendant version of the Dipping Light sheds all unnecessary elements and retains only what is essential: colour takes centre stage. When using several lamps to make a composition, the visual effect is mesmerising.
Wood is a great ally of cosy lighting. It is a material that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light. The Ginger collection has been expanded over time to provide solutions to different lighting needs, and is available in pendant, table, wall, and floor lamp versions.
The Ginger family includes wall lights, floor lamps and table lamps.
Applying a digitally designed fabric crease to ceramics is how the Pleat Box lamp was created, resulting in a design that conveys beauty in its material, shapes and texture.
Ceramic is a ductile, malleable material, and every lamp in the collection is handcrafted. Fusing the clay with different enamels has allowed Xavier Mañosa to discover and interpret new light effects. He has gone as far as to play with two different finishes on the inside of the lamp: a brilliant white enamel to create sparkles that enhance the light, and a 24-carat gold plated version that emits extraordinarily warm lighting.
The Pleat Box collection is also available with an integrated LED technology, which projects warm indirect light and prevents glare. This lamp shows respect for craftsmanship, care for ceramics and the ingenuity of design.
The beauty of the Mercer is from both its pure shape and how its materials blend together. The transparent blown glass structure envelops the textile shade, which appears to float, conveying lightness and sophistication. The inner diffuser fabric is available in ecru cotton ribbon, or a modern and minimalist version pearl white.
The Bohemia is unique. At first glance, it appears to be made of blown glass—but its size made this option untenable. Its designer, Joan Gaspar, overcame this difficult challenge by opting for polycarbonate instead.
The result is an exciting, organic, translucent profile that integrates two volumes into a single shape. This allows for a large shade in different colours that don’t interfere with the interior, which is always white, giving of impeccable lighting with no colour bleed.
When it’s on, the Bohemia shines a white light downward, while also enhancing the shade with subtle hues and shadows. This interplay between shadow and light defines the two volumes. The Bohemia is bright and striking, with an exceptional light that aims to surprise all viewers.
If there is one iconic design in the Marset collection, it is the Discocó. Exuberant even when switched off, the richness of the light emitted by this lamp provides a dramatic surrounding interplay of light and shadow. Further reflections dance off the chrome-covered sphere at the core, to which the discs are attached.
When switched off, the Discocó is a beautiful object whose petals gently fill the space.
The Djembé collection is designed for repetition, creating musical compositions of light. A bell-shaped ceiling fixture with an exposed interior, Djembé is available in a numerous sizes and bright, airy colours that can be used individually or combined to create a brilliant statement piece.
The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.
Its design stems from a tubular structure with gentle lines that attaches to the ceiling, allowing the light to descend and gently illuminate any type of project. It is this diffused light that fills the space, adding beauty.
The new vertical Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure.
The Ambrosia V3, joins three light tubes placed at different heights, forming a sculptural ensemble. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug.
Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, available in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces.
The serene shapes of the Ihana trace a silhouette of light. This system features opal blown glass diffusers contrasted by a firm metal structure. It can create light compositions with up to 14 diffusers connected to a single point, and is suitable for both classic and contemporary interiors.
The Ambrosia collection has been extended with a version designed specifically for workspaces that require more controlled lighting. Ambrosia Pro includes a cell structure with independent lenses that project more directional lighting. This edition speaks the same language as the rest of the collection but is perfect for different applications.
The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.
Its design stems from a tubular structure with gentle lines that attaches to the ceiling, allowing the light to descend and gently illuminate any type of project. It is this diffuse light that fills the space, adding beauty.
Perez Ochando's latest lamp is a flexible, large-format design for large spaces. A black vertical structure with adjustable rods expands or focuses light. Each rod has a suspended spotlight with inner rings in ivory, terracotta, or gold, spreading light evenly.
Inspired by an old winding machine, this lamp's shape allows vertical and horizontal movement. It extends up to 2 metres in diameter for large spaces or folds to 1.2 metres for smaller areas, always providing exceptional ambient lighting.
Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, available in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces.
Wood and metal combine in a design that uses the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light.
The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding—and that is precisely what stands out the most about the wall version, the small wooden handle that allows for easy control of the shade position.
The Scantling collection also includes two floor versions and one table version.
Atlas transforms a common bulb into a spotlight, enveloping it following its outline. Taking its nudity as the starting point, it dresses the bulb up with a transparent suit that also gives the lamp the added benefit of lightness.
Made of transparent polycarbonate and a polyamide base, this directional spotlight can be grouped in bases of two units.
Heir to the original Funiculí, Marset has introduced a new version with a fabric shade, a design that Lluís Porqueras first conceived in 1979. The essence of both lamps continues to be their simplicity, but the new design is chic and classical, perhaps even more sophisticated than the original.
A simple household item kickstarted the design process of the Aura wall lamp. This decorative lamp, which provides outstanding light while turn on but stands out beautifully while off as well, was inspired by the traditional glass carafe, a mainstay of households the world over.
The Aura follows an emotional design, because of what glass means in the collective memory, as well as a rational and contemporary design because it draws on LED technology to achieve efficiency and subtlety. The opalescent, transparent, or coloured glass of its lampshade allows the light to bathe the wall and creates a luminous effect without harshness, while also generating a point of interest in the space.
See also the Aura Plus Indoor Wall Light.
The Ledtube has long been one of the most functional products in the collection, a reading light with a beam that has the clear purpose of illuminating without disturbing. It has no glare and its light can be pointed in any direction. It’s so easy to use that it’s almost instinctive, and so versatile that you hardly notice it’s there if you don’t use it.
One of the most iconic products in the Marset collection Ledtube is a headboard lamp with a powerful, movable beam of light. Its ergonomic design beckons you to move it in any direction, up to 360º, and its use is very intuitive. When opened, it turns on automatically. When closed, it turns off and hides away in the wall, like camouflage. It’s so versatile it can be installed vertically or horizontally, adapting to the needs of your space
The Ledtube is one of the most iconic products in the Marset collection. A headboard lamp with a powerful, movable beam of light with functionality and an ability to blend with any space. Its ergonomic design beckons you to move it in any direction, up to 360º. When opened, it turns on automatically, and when closed, it turns off and hides away in the wall, like camouflage. It’s so versatile it can be installed vertically or horizontally, adapting to the needs of your space.
Ledtube is a powerful yet focused reading light whose source provides excellent illumination and direction without disturbing your bedmate. Glare-free and able to be aimed in any direction, it’s so easy to use that it’s almost instinctive, and so versatile that it blends into the surface—a light that takes up no space.
The Ledtube Mini fills a size gap in the lineup, with the same design in a smaller and more compact frame that adheres to the proportions of the original. This change of scale offers the same benefits of the original, but in a smaller size.
One of the most iconic products in the Marset collection the Ledtube is a headboard lamp with a powerful, movable beam of light. Its ergonomic design beckons you to move it and its use is very intuitive. When opened, it turns on automatically; when closed, it turns off.
The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.
The Ambrosia A wall light’s design stems from a tubular structure with gentle lines that attaches to the wall, allowing the light to descend and gently illuminate any type of project. It is this diffused light that fills the space, adding beauty.
For designers George Yabu and Glenn Pushelberg, design is about telling stories. This is certainly true in their new Konoha model, a twin-function wall lamp that tells us what types of lighting we need around us and offers all the right possibilities to make them happen.
The shade, like a hat, covers the spotlight, allowing the light to be directed upwards, bounce off the inside and project a beam of soft light, creating warm ambient lighting. If instead the spotlight is focused downwards, it projects a beam of direct light, turning the fixture into a reading lamp.
The Ginger collection is notable for its great simplicity of form, its lightweight appearance and reflected direct light. A design for any type of project. Available in two very different materials, wood or metal, it provides a warm glow with no glare, illuminating just the areas that need it.
The wall model is available in four sizes that can be combined to form a two- or three-piece set connected to a single point of light.
Wood is a great ally of cosy lighting. It is a material that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat and discreetly lights up spaces with indirect light.
The Ginger’s sleek, understated appearance and robust reflected light made it an immediate favourite. This version of wall lamp, with a moveable swing-arm in black lacquered aluminium, allows the shade to be moved quickly and easily, resulting in a functional and aesthetically pleasing design intended for headboards, desks, reading nooks, or dining tables.
Dimensions
Ginger 20A: 19.5 cm (diameter) x 38.9 cm (depth) x 22.2 cm (height)
Ginger A: 32 cm (diameter) x 55.5 cm (depth) x 41.2 cm (height)
Specifications
Finishes:
Oak
Wenge.
Resources
Ginger 20 Installation Instructions
by Marset.
Beyond its function as a lamp, the Dipping Light seeks to excite. While on, its different shades of paint sift the light, creating a magical ambient effect. When off, its coloured glass sphere is an object charged with beauty, and eye-catching design piece.
The Dipping Light was created as an experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturising the light. A brass or graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation.
As a wall light, this design comes in two different versions, one offering lighting horizontally, and the other vertically. The finish of the base also comes in a choice of brushed brass or graphite.
The beauty of the Mercer is from both its pure shape and how its materials blend together. The transparent blown glass structure envelops the textile shade, which appears to float, conveying lightness and sophistication. The inner diffuser fabric is available in ecru cotton ribbon, or a modern and minimalist version pearl white.
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.
Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment.
The Nº8 reading lamp fulfils all the necessary criteria for perfect operation: efficient light, easy handling, durability, and beauty. It was designed specifically to respond to each of these requirements, resulting in a “well-rounded” fixture that fulfils its mission perfectly.
The Mercer Ceiling stands out for its subtle reversal of roles, with the cloth shade inside a structure of transparent blown glass. The glass delicately protects the shade in a natural pleated cotton or sophisticated pearl white fabric, at the same time as producing additional reflections. The lamp provides the ceiling of a room a delicate, warm glow, while providing illumination.
The Soho makes a statement in recognition of those lamps that were traditionally used to light up markets, taverns and cafeterias.
It is made from rotation-moulded polyethylene, a technique that allows us to offer it in different sizes: 38-cm diameter for smaller spaces, 57 cm and 112 cm for large spaces. This collection is also available for outdoors, including wall and floor versions in different colours: black, grey, translucent white, sand and sky blue.
Resembling a block of ice, at the same time both solid and weightless. Its designer, Joan Gaspar, has used transparent polycarbonate to create optical reflections, giving the impression of an organic design made of glass.
Its large size is in keeping with its function, since it’s been designed to illuminate large and considerably high spaces, contemporary architectural projects ranging from hotels to contract, in which a lot of light is required.
Available in a ceiling version, with a fixed pole or built-in, and a pendant version. Height extension poles of 40 and 60 cm allow you to increase the drop length from the ceiling while retaining the rigid stem.
Resembling a block of ice, at the same time both solid and weightless. Its designer, Joan Gaspar, has used transparent polycarbonate to create optical reflections, giving the impression of an organic design made of glass.
Its large size is in keeping with its function, since it’s been designed to illuminate large and considerably high spaces, contemporary architectural projects ranging from hotels to contract, in which a lot of light is required.
Available in a ceiling version, with a fixed pole or built-in, and a pendant version.
The Ginger collection is notable for its simplicity of form, lightweight appearance and reflected direct light. Available in two very different materials, wood or metal, it provides a warm glow with no glare, illuminating just the areas that need it.
The ceiling model is available in four sizes that can be combined to form a two or three-piece set. Furthermore, the colours can be combined, providing multiple reflections. An aesthetic, almost graphic design that is stunning in any of its finishes.
The Djembé collection is designed for repetition, creating musical compositions of light. A bell-shaped ceiling fixture with an exposed interior, Djembé is available in a numerous sizes and bright, airy colours that can be used individually or combined to create a brilliant statement piece.
If there is one iconic design in the Marset collection, it is the Discocó. Exuberant even when switched off, the richness of the light emitted by this lamp provides a dramatic surrounding interplay of light and shadow. Further reflections dance off the chrome-covered sphere at the core, to which the discs are attached.
When switched off, the Discocó is a beautiful object whose petals gently fill the space.
Beyond its function as a lamp, the Dipping Light seeks to excite. While on, its different shades of paint sift the light, creating a magical ambient effect. When off, its coloured glass sphere is an object charged with beauty, and eye-catching design piece.
The Dipping Light was created as an experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturising the light. A brass or graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation.
As a wall light, this design comes in two different versions, one offering lighting horizontally, and the other vertically. The finish of the base is also available in a choice of brushed brass or graphite.
A simple household item kickstarted the design process of the Aura wall lamp. This decorative lamp, which provides outstanding light while turn on but stands out beautifully while off as well, was inspired by the traditional glass carafe, a mainstay of households the world over.
The Aura follows an emotional design, because of what glass means in the collective memory, as well as a rational and contemporary design because it draws on LED technology to achieve efficiency and subtlety. The opalescent, transparent, or coloured glass of its lampshade allows the light to bathe the wall and creates a luminous effect without harshness, while also generating a point of interest in the space.
See also the Aura indoor Wall Light.
The beauty of the Cala collection comes from its simple, essential form. A shade that embraces the light without restricting it, letting it project its warmth around your space. Its structure is lightweight yet strong and is inspired by the classic painter’s easel.
The Cala with a metal stand is even more sophisticated: a structure that is easier on the eyes, and is lighter. Both the wooden and metal versions speak the same language: the proportions, the harmony, and the cosy light.
The Cala family includes and outdoor floor lamp, and wooden and metal versions.
From light to shadow with a single gesture. The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it.
Theia has two faces. To discover them, swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light that immediately warms the atmosphere. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece.
The Theia family includes a floor lamp and table lamp.
The floor version of the Ginger collection is available in wood, a great ally of more intimate lighting. The difficulties of moulding wood are solved neatly with this collection. The ingenious combination of thin sheets of wood, paper and resins, compacted under high pressure, yield a lamp with an almost flat, understated appearance that uses reflection to warmly illuminate spaces.
The Funiculí is one Marset’s most emblematic lamps. Its design is over 30 years old, but is still as modern and functional as the day it was designed.
Heir to the first Funiculí, the version with a fabric shade was first conceived by Lluís Porqueras in 1979. The cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height.
The essence of both lamps continues to be their simplicity, but this design is chic and classical.
The beauty of the Cala collection comes from its simple, essential form: a shade that embraces the light without restricting it, letting it project its warmth around you space. Its oak wood structure is lightweight yet strong, and is inspired by the classic painter’s easel. An iconic Marset design defined by that most precious pairing: form and function.
A highly functional lamp perfect as general lighting for larger spaces.
The Cala collection is also available in an outdoor version and a metal version.
Polo stands out for the fluidity of its movements. This design unites the head to a thin, light structure that can be fully extended while taking up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of lamps.
The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.
As if levitating, the Copérnica’s weight is barely noticeable. It moves through space precisely, with no friction or resistance.
Circles, semicircles, tubes, and bars of different diameters, materials, and weights. With the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines.
The Copérnica family includes both a table, floor lamp, and torch-style floor lamp.
Wood and metal combine in a design that uses the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light.
The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding. Its assembly is reminiscent of a construction set, and its profile evokes a silhouette of light, an archetypal, almost graphic design.
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.
Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment.
Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which is available in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces.
Wood is a great ally of cozy lighting. It is a material that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.
With its original orientation and suspension system, the shade of this floor version hangs from a structure that replaces the ceiling. The stem and suspension system allows the shade to extend forward and back, as well as side to side. This version of the Ginger floor lamp is a substantial and versatile fixture that retains a light footprint and a subtle physical presence, providing excellent illumination without overwhelming your space.
The beauty of the Mercer stems not only from its essential shape, but also materials blended together. The transparent blown glass structure surrounds the textile shade, which seems to float, conveying a sense of airiness and sophistication.
The interior fabric is available in a ribbon of raw cotton or a more modern and minimalist version in pearl white.
Fascinated by timeless design, designer Jaume Ramírez is interested in the archetypal table lamp in which a lampshade distributes light in all directions. This is the starting point from which he reflects and experiments to propose a new glass design, with more streamlined shapes.
Fragile synthesises past and present. It brings to mind hallmarks of the past such as oil lamps, which also illuminate from the bottom up, or candles; however, its designer uses the language of glass to express the fragility of the present moment. That is why this new design is intended to be a tribute to the table lamp. A fixture with a long history that, with the application of a material such as glass, once again surprises us with the delicacy of its forms.
Polo stands out for the fluidity of its movements. The design unites the head to a thin, light structure that can be fully folded so it takes up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of switches.
The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.
Wood and metal combine in a design with basic geometric shapes. The Scantling has a highly functional and flexible system in which all the movements of the fully rotational shade rely on ball joints and arms. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.
The Scantling collection includes a table, wall and two floor versions.
The Bolita lamp beckons you to touch it to adjust it. Its structure is as simple as it is magical. A rounded surface that houses an LED located on a central axis, and an overlapping glass sphere that when moved, creates an eclipse effect. Moving the Bolita dims or boosts the light, an interplay that captivates with its beautiful visual effect.
For Lluís Porqueras, design consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.
Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment.
The Funiculí is one Marset’s most emblematic lamps. Its design has been around a long time, and yet its style remains current and functional. Its light can be direct or indirect, and the height of the light can be adjusted with a set of clips.
In the fabric version of the Funiculí, the cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height.
The essence of both lamps continues to be their simplicity, but this design is chic and classical. This collection is available in floor, table and wall versions.
Wood is a great ally of cosy lighting. It is a material that is hard to mould, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.
These two highly diverse materials – wood and metal – lend the Ginger collection an increased versatility, and even allow for a new outdoor series. There is a Ginger lamp for every lighting and aesthetic need.
From light to shadow with a single gesture. The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it. In Theia, the materials and shapes are merely the physical manifestations of the underlying concept: merging both light and shadow in a single piece.
Theia has two faces. To discover them, swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light that immediately warms the atmosphere. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece.
The Theia family includes a floor lamp and table lamp.
Beyond its function as a lamp, the Dipping Light seeks to excite. While on, its different shades of paint sift the light, creating a magical ambient effect. When off, its coloured glass sphere is an object charged with beauty, and eye-catching design piece for a shelf, bedside, or table.
The Dipping Light was created as an experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturising the light. A brass or graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation.
Available in stand-alone portable version and with another diameter – ø20 cm – halfway between the small and the large versions. There is also a choice of finish for the base between brushed brass and graphite, while the colours of the bulb remain the same.
The 12.5 cm diameter lamp is also available in a portable version.
When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.
Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines.
This collection consists of a table and floor lamp, each of which use mixed materials of different densities including aluminium and steel to create a unique counterweight system.
The Copérnica family includes both a table, floor lamp, and torch-style floor lamp.
Sips possesses an understated, timeless design with a clear purpose: to create a distinctive, intimate lighted space, even outdoors.
With a small opaque shade, the Sips illuminates the table directly but without dazzling or overpowering the space. Its wider base provides stability and includes a touch switch with three light intensities.
Free of cables, lightweight, with a simple structure and neutral colours, this design becomes a discreet part of the table, and ensures good lighting in restaurants, bars, cocktail bars, terraces and patios.
Few lamps have caused as much buzz as FollowMe. This daring pioneer of portable lighting has become a design icon in just a few short years.
Its simple, airy lines, its tilting shade and its varying light intensity have established it as a beautiful and practical lamp.
The FollowMe colours provide multiple possibilities: pink and blue, whose soft colours and gentle light invite serenity, are ideal for children’s rooms or pastel design themes, while the more intense and sophisticated green and terracotta add a spot of bold colour to any environment.
The Bicoca is born with the optimism of brightening life and accompanying the good times, wherever you go. This colourful, lightweight portable lamp projects an intimate light that adds warmth to all your personal spaces.
Beyond its function as a lamp, the Dipping Light seeks to excite. While on, its different shades of paint sift the light, creating a magical ambient effect. When off, its coloured glass sphere is an object charged with beauty, and eye-catching design piece for a shelf, bedside, or table.
The Dipping Light was created as an experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturising the light. A brass or graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation.
Resembling a block of ice, at the same time both solid and weightless. Its designer, Joan Gaspar, has used transparent polycarbonate to create optical reflections, giving the impression of an organic design made of glass.
Its large size is in keeping with its function, since it’s been designed to illuminate large and considerably high spaces, contemporary architectural projects ranging from hotels to contract, in which a lot of light is required.
Available in a ceiling version (with a fixed pole or built-in) and pendant version.